In the Virtual Bank Line

I had two distinctly different dreams last night, which is only significant because the end of the first one kept coming into the second one in a kind of "WTF?" way.

At the end of the first dream, my friend Mortaine had a special kind of bell. It looked like a clear glass Christmas tree ornament, but inside it had three bells that looked like finger cymbals. They were one above the other, each with a hole in the middle so that tiny golden beads could trickle through, chiming the bells inside. She held it in her hand and, moving her hand slightly, made beautiful, trilling music with this tiny little thing. She told me that each bell produced a different note, and that the three notes together were especially pleasing. The notes were E, A and N. That's right. N.

I woke up from that dream thinking "N? What the hell does N sound like?" And then went back to sleep, but throughout the next dream, I kept thinking "E, A, N? That can't be right."

In the next dream, the Pirate and I had moved to a cute little neighborhood into a townhouse. All the houses shared walls, and we could all see into each other's yards. Our bedroom was on the ground floor, and the window was right above our bed. The blinds we bought were just a tiny bit too big for the window, and the breeze from the open window (it was hot) made them scrape softly against the window frame. It was right in the Pirate's ear, driving him crazy. I snuggled up behind him and put my hand above his head, holding the blind down to keep it from scraping.
{N? No. Not N.}
When we got up, we had to go to a party at my friend's house. My parents were going to be there, and a lot of our neighbors - it was going to be a big thing. I thought it was just going to be a barbecue, but it turned out to be a trunk show of jewelry - they were still setting up as the Pirate and I arrived. We talked to other guests for a bit, and then I wandered off to look out the window.
{E. A. N. E. A. N.}
The neighbors had caught a fawn and were using it to entice its mother across the creek. The mother was understandably nervous about trotting over, and it wasn't even clear to me whether they intended to capture the mother and kill her or just to get both mother and baby out of the way somewhere else. There was a boy - 8 or 10 years old - who wanted to pet the fawn, but the neighbors kept shooing him away and the boy was crying.
{It must mean something - be short for something. There's no N.}
Back inside the party was underway, and people were lining up to dance. They had a squaredance caller who was calling out the moves slowly so that even inexperienced square dancers could follow along. There were eight couples who were all in a line (instead of being in two squares). Now, remember, this is a jewelry trunk show. And who buys more jewelry? That's right. So, the couple are all dancing, and at one point, the women have their backs to their partners, and they lean back with their partners holding them under the arms, and kick one leg out. The caller then yelled "Now drop 'em!" and the men all dropped their partners, who fell on their butts to the floor. The whole place went quiet.
{If there's a note N, is there a key N?}
The caller came in quick with "Gentlemen, you can make it up to your lady by buying her some lovely jewelry!" And, while most of the women let their partners off with mean looks and expensive purchases, one woman with long, white-blonde hair started screaming at the square dance caller, telling him how dare he make her husband humiliate and hurt her just to sell some cheap costume jewelry! Then she ran into the bathroom and slammed the door. When she'd composed herself, she left the house, got into her car and drove off, leaving her husband behind. I watched the whole thing, thinking "Good for her. He was an idiot to drop her like that."
{E. A. N. N. N.}
The Baby Goddess came running into the room, telling me that I had to come and walk with her to her daycare. It wasn't her daycare in real life. This was a series of small buildings joined by corridors. The corridor that the children entered in the daytime was built to look like a forest path. There were round stones set into the concrete of the walkway, and everything was overgrown with moss. The buildings had columns that looked like giant tree trunks, and in the window of an office, there was a cutout of a kindly-looking old lady with the words "I'm watching you" above her head. Next to her was a video monitor where the children could see themselves walking down the path. (As I was telling this dream to the Pirate and the Baby Goddess, she said "That sounds really scary!")
{bEAN, clEAN, dEAN, lEAN, mEAN, wEAN}
There was a tiny door leading down to a sort of basement looking place, and I asked the BG what they kept in there, and she told me that it was where they kept Sarah. Sarah was one of the little girls at daycare, but because she was small, she stayed in that little room. I opened the door and saw a room that was about 4 feet tall, and perhaps six feet on a side. Along one wall there was a bench, and a tiny table in front of it. The only light coming in was from the cracks in the floorboards above. It was inconceivable that the daycare would be keeping a child in such a hole. As my eyes adjusted to the dimness, a tiny little person popped up and said "Is it time to go home?"
{Where would N show up on the clef?}
I didn't know what to say. It was Saturday afternoon. "Time to go home" would have been nearly 24 hours ago, and yet the girl, who looked to be a very tiny 4-year-old, didn't seem distressed at all. She was still wearing diapers and seemed to be a little addled, but pretty clean and cheerful. I was getting myself all worked into a state, wondering where the girl's mother might have been and how I was going to find the woman. I had changed her diaper and was trying to figure out her tights. They weren't proper tights - they were made out of cotton gingham, fitted to the leg and fastened with buttons all up the outside of the leg. They looked like doll clothes. The feet were much too small for the little girls' feet, which looked bloody from being jammed into too-small tights and shoes, but the little girl didn't seem to notice as I put the clothes back on her. I was getting more and more panicky - so much seemed to be wrong with the situation, and yet I was the only one who was noticing it or taking it to heart.
{THERE IS NO N!}
I woke up with my heart and head both pounding. Apparently, I'm still sick.

Taking Notes

I got the contributor's copy of my little magazine article, but still no word from the agent who promised to get back to me "much sooner" on the second submission.

I think it's time to do another round of submissions, although I must admit, I'm a little upset with myself. Other people I know who are writing have volumes of work that they're shoveling out the door with both hands. Due to my own perfectionism, I tend to have only a few offerings at a time that are ready to go out.

*sigh*

I have started a new writing notebook. For years, I have carried around a little green leather notebook that I have jotted down bits and phrases in so that I could save them for later. I like hearing things that people say that are particularly juicy, like "No hair is okay if you have really bushy eyebrows." People say weird things, and I like being there to chronicle them.

But this particular notebook is where I have been actually sketching out the skeletons of the projects I am working on. I've gotten to the point where my ability to work is so sketchy that it's best if I jot down everything about an idea that I can jot down so that when I do have some time to concentrate on it, I have a good idea of what I'm doing.

Thus far, my book is rapidly filling up with ideas that I don't have time to flesh out. But I'm not bitter.

The Bitter Tang of Success

I know now what it is that's been dragging me down lately.

It's success.

In November, I got word that a nonfiction piece I'd submitted in October had been accepted. The piece was short, the pay nominal, but it's an acceptance and that's what counts. The minute I got word, I started hating my job. I wanted to stay home and be able to get to work on all the ideas I had flitting through my brain.

I finished my Nanovel, but I wasn't all that excited about it. The plans I have need a little more work than I was able to give this one. The contract job I'm working at right now means that I have a boss who thinks that because I'm a contractor, I'm not subject to the normal rules that everyone else adheres to. I should be available 24/7, I should have no life of my own that might require my attention. I must be desperate enough to want to do nothing but work.

I got back on track and buried my head in work, but then along came a rejection that was better than anything I'd ever gotten. I note that actually called my writing genius and expressed deep regret that he hadn't been able to convince other editors to publish my story. Again, I'm sure that the pay would have been nominal, but it would have been something.

That note came on the same day that I had driven into work through one of the worst traffic jams I'd ever seen. It had taken me over an hour to drive the last four miles, and for the rest of the day my left eye was twitching the way it does when I'm deeply stressed and unhappy. A couple of days of working from home has fixed that, but I'm still resentful as hell that I'm working on this and not on something I'd rather be doing.

Back in December, I'd gotten a rejection of my first novel from an agent who said that they loved the work, but just didn't feel they'd be able to sell it. They asked to see something else I'd written, so I sent them another novel of an entirely different flavor - Genius of Want. The December rejection had come fourteen months after I had initially sent them the manuscript, and they promised in the letter to give the next one a quicker turnaround. I sent the next manuscript off two or three days after getting the news from them, and I have no idea what to expect, but I can't help but have some high hopes.

The problem is that those high hopes are making it really difficult to concentrate on making a living. It's not my boss's fault that I have literary aspirations. It's not her fault that I'd rather be creating swirls of magic than bringing my considerable organizational skills to bear on her subscriber communications.

I just can't help but realize that every other successful author I've heard about has bitten the bullet, made incredible sacrifices and NOT WORKED A DAY JOB while they were working on the novel that made it for them.

I keep wishing that something will happen to make that possible for me, but that's unlikely.

In the Virtual Bank Line

It's been a while, but I've had some pretty mundane dreams lately.

Last nights' dream was a little disturbing and I don't even really understand why.

I was jogging through my old neighborhood, back in Phoenix. There's a maze of condos there called "Concord Village," and in the dream, it had been given over to some sort of military training complex. As I was jogging along, I turned down a path and came upon some guys showering under an upturned hose. They weren't in a camp shower or anything - just hanging out in the middle of a public pathway, naked as could be. They started to laugh as I jogged through, but I told them they didn't have anything I haven't seen before and kept running. It was kind of funny, I thought.

As I jogged, I realized I was holding someone's towel. I slowed down as I came to a house that I remembered seeing as a kid. I looked at the front door, and it was open, so I went inside. The place was two stories and filled with rustic-looking antiques. There were three cradles that looked as though they were made from bark, and three trundle beds and three high chairs. They looked at least a hundred years old. I managed to walk all through the house without seeing anyone. It looked like a tiny little museum of old pioneer artifacts, but when I came out the other side, I realized I had left my towel inside somewhere. I put my face to the window and saw it on the stair railing. Just then, a woman in her mid-thirties came out of an upstairs room and saw me. I was going to run, but she opened the door and led me inside, telling me all about how her grandmother had collected all these things, and how she and her two brothers had been the babies who had used them.

I left the woman's house and went back toward my own place. As I neared my condo, a little kid came running toward me, showing me some treasure she'd found. She was babbling on about it, holding my hand as I went toward my place. As we got nearer, I realized that this was a kid who belonged to the daycare just across the passageway.

I went to my place and changed clothes, and the minute I was done my best friend from grade school showed up. She wanted to go shopping for something, but she was being really mysterious about it. We went to a strip mall that had one shop with no sign outside. Inside, the whole place was full of huge chests of tiny drawers. The drawer fronts were all carved wooden filigree with tiny elephants on them whose trunks served as the drawer pulls. I looked inside a few of them and found carved wooden rings, bracelets and necklaces of various sizes and colors. There were tapestries in back, black hangings with bright weaving through them depicting various Latino left-wing heroes. My friend was looking around with her nose wrinkled.

I had no idea what she could have been looking for or how she knew about the place, but it was obvious that she was disgusted by what she'd found. I realized that she was just checking the place out. She was going to report back to someone else, who would then take some action I couldn't begin to predict. I told her that I thought she was a bad person and walked away back across the parking lot.

On my way home, I went through an open-air market. I started going up and down rows of market stalls filled with all sorts of things - food, clothes, housewares, auto parts - and I was looking for something specific, but I couldn't remember what it was.

I was still looking when I woke up.

Another Opportunity to Get My Message Out

Once again, I'm going to be on the radio. I did it last year and it was really fun, even though what I was reading was silly, silly, silly. This year, I think I'll mix my soundbed carefully and practice a lot. I haven't read in public in a while, and I'm feeling out of practice.

It would be even better if, by the time I read, I can tell people that the novel is due to be published....

The Days Simply Fly By

In October, I announced to people that I was definitively NOT participating in National Novel Writing Month. And then, at the beginning of the November, I found myself with some unaccustomed time on my hands and an idea that was just sitting there in my brain waiting to be written. I wrote nearly a quarter of my novel in three days.

I was 60% done by the end of the first week, and then things hit a snag. I had no time, I had more projects in the real world than I could reasonably complete, and besides, I wasn't participating. Why should I worry about things like plot trajectories and word counts if I'm not participating?

But then, just after Thanksgiving, guilt caught up with me. November 26th and I'm still stuck with the same 35k words I'd had for the past two weeks, and not a word more to show for it. I knew that, given my logorrhea, I could certainly produce the requisite 15k words, but would I? After all, I wasn't even participating.

I guess it says a certain something about my character that, given the writing successes that I've had this November, I decided that I wanted to go ahead and finish. The effort sapped my health (okay, that may have been cold season and my proximity to a 5-year-old) and I ended up, at the end of things, in bed for an entire day, but I did finish.

And now, I don't even know how I feel about it. Happy? Not really. More like, not embarrassed that I gave up in the middle of things. Proud? Again, not so much. The first year, I was proud just that I had finished, despite the fact that what I had at the end of the process wasn't usuable. This year, I realized that my novel was not even close to coherent until the last 10k words, which means that to make it usable and readable, I have to pare away several weeks' worth of work and do several weeks more, and that's just writing. Being proud of my effort at this stage is akin to being my age and being proud that one can use the potty like a big girl.

So I guess that my feeling right now is really just relief. Once again, I haven't embarrassed myself. I have been a good example for other people I know who are struggling and who may or may not have finished. I have the beginnings of something workable and ideas for a great many other things that are possibilities. The whole exercise is not a loss, and I do have to say that the ultra-competitive side of me really loves knowing that I'm one of only a handful of people who enter every year who actually finishes. It does make me feel that I am, indeed, a writer after all and not one of those people who thinks that any boob can sit down and crank out a book.

Much Ado About Much

I haven't updated much because at this point I am working a full-time job, raising two children, writing a novel, keeping chickens and keeping up three other blogs about the whole mess. I've been...distracted.

First, the Santa Cruz chapter of Nanowrimo made the local paper. You can read the article, complete with an interview with yours truly here.

Second, just because I'm writing a novel doesn't mean that I'm brain dead. One of the inevitable effects of writing a novel is that I end up with more story ideas than I can possibly manage. I currently have three or four, and they end up falling out of my ears. Here's one of the ways I ensure that I have story ideas that work: I don't write them down right away. The good ones are the ones that stay with me over several days or weeks, popping up in my psyche and demanding my attention. By the time I get around to writing them, they're much more powerful.

Third, just because you're done writing doesn't mean that you're done. A few months ago I went through an orgy of submissions. I do this every once in a while, sending out dozens of copies of work to dozens of markets hoping that something will stick somewhere. As of right now, I have one essay sold, a short story on an anthology's short list and a novel that might be delighting an agent as we speak. Call me a mercenary, but I'm doing this for money too.

I'm two-thirds done with this year's Nanovel, and I'm confident that in a year or so, it'll be just about ready for people to look at. But I'm just as confident that in the meantime, other little seeds I've planted will have sprouted and flowered.

Break Taken

Tuesday last, I woke sick as the proverbial dog. I stayed home from work and mostly slept, but did manage to get a few words down, seeing how it was the beginning of the month and all. Wednesday, more of the same, but I must say that I was feeling the pressure to get better, as my boss was leaving for three weeks and Thursday would be her last day. Thursday I dragged myself into the office, did a few ineffectual things, and then wrote some more when I got home. Friday, I worked from home and did a little writing in between emails.

What this all adds up to is that by the 4th, I was 40% of the way through Nano.

This, despite the fact that I have still not officially committed myself.

Which means that the fact that I was so sick on Saturday and Sunday that I did literally nothing but sleep and zone out in front of some DVDs makes me feel not one whit guilty.

No guilt. None whatsoever.

Okay. Maybe a little.

V-I-C-T-O-R-Y

As some of you may know, my first Nanovel, Mitos del Pueblo, garnered first place for novel at the 2004 East of Eden Writer's Conference. That was a wonderful perk and a great feeling, but it wasn't the end of that particular novel's journey. In fact, it turned out to be little more than a bump on the Road to Publication, which it's still barrelling down with no signs of ever coming to rest.

But I did write about that process, and the resulting essay "Putting the Suck in Success" was accepted by Rambler magazine for publication.

Well, it's a start.

Oh, Naughty Me

It's been months and months since my last post, and here it is the 3rd and I haven't said word one about Nanowrimo.

Honestly, there are two reasons for that:

1. I haven't had time. Since I last posted to this blog, I have been a writing and submitting f3wl, so it's not as though I've been entirely idle. Partially, but not entirely.

2. I still have not committed to actually *doing* Nano this year. Having said that, I must confess that as of last night, my word count is over 13,000. No, it wasn't a typo, it is the third day and I'm already a quarter of the way to completion. But the thing is this: I know that I can do it. You know that I can do it. It's just that I also have many, many other things I have to do this month, and therefore I don't want to begin by oversubscribing myself.

Although we all know, don't we, that I'm incapable of *under*subscribing myself.

The New Project

I've been busy. I've written a couple of short stories and done a flurry of submitting - nothing yet. It's a little discouraging, but I'm not sure what to do.

I've come up with the plot of the next novel/play. When I wrote "Leif the Buddhist Viking," it was originally conceived as a play, but I had gotten the advice to write it as a novel first. It worked well as a novel, but I'm still committed to turning it into a play.

This new work is similar in that it occurs to me as a play, but I should novelize it first. The working title is "Trinity of Days," and it's about the three days that Mary spends between the time Christ is crucified and the time that he is resurrected. The themes are before and after, the Holy Trinity (which, interestingly enough, has no room for her), the stages of grief, and women and middle age. It's a lot to work into one play, but that's one of the things I like about the form. It's elastic.

I've been talking to The Pirate's parents, who are chock full of Biblical knowledge. They're giving me a ton of information - so much so that it's getting hard to decide what to include and what to leave out. I'd like to make the action of the play something that can be staged in a variety of ways. Contemporary, period, etc. We'll see.

I'm happy to have something to work from. Sometimes the ideas come thick and fast, and sometimes not at all. It's always nice to have something.

In the Virtual Bank Line

I was at work helping out with some software testing. For some reason, our software worked just fine on stationary systems, but on a laptop when you switched between one screen and another, it would consistently crash. I was getting very frustrated because this is one of those fields where I know enough to recognize a problem and not enough to fix it.

While at work, the woman who was my roommate was giving me grief. I had just bought a new phone and answering machine and had left myself a note about some expenses on top of it in my bedroom. She called me to discuss the expenses with me, which meant that she had been in my room going through my stuff. I told her that I'd talk to her about it later, but that I would be gone for the weekend. I was going to my other house. Upon finding out that I had another house, she got all bent out of shape because she felt, as my roommate, a certain entitlement to anything that was mine. Whatever.

I left work and headed to my other house. My other house was on a spit of land that was only accessible during low tide. The spit of land had trees on it, and my house was an inn in those trees. To get there I had to wait until low tide and pick my way through the rocks and then along a path into the woods. To outsiders, the house itself was only visible (but not accessible) during high tide, but to the creatures who lived there, it was just the inn.

The creatures who lived there were elves, fairies, trolls, fauns, brownies and all manner of magical creatures. My place was the only building in the whole area, and the only place where there was alway a meal cooking. The minute I walked in the door, I heard nothing but complaints from all sides. The fairies were ripe, and they were into the kind of trouble that only adolescents can get into.

See, here's the thing: a fairy is the larval form of an elf. To be specific two fairies form every elf. All fairies are twins - one good, one evil. The evil aren't so much "evil" as "mischievous." They can take any shape (because fairies are not a species, just a phase) just like elves can take any shape. There are short, troll-like elves, elves with goat's legs, human-looking elves, etc. The fairies all fly (though not all with wings) although they lose that ability when they become elves. They spend the first several years of their lives in this state of fairiness, flitting about and cavorting and learning about things by getting into things. If you have a good fairy attach itself to you, you're very lucky because they're helpful and kind and good-hearted. If you have an evil fairy, you're in for years of bad luck. You can tell when it's time for the fairies to go from larva to adult when the good ones are competent and kind and the bad ones have made enemies out of just about everybody.

There were three at the inn who were ready - a male trollish fairy, a male faunish fairy and a female humanish fairy. When I got in, everyone was screaming because the faun and the girl had ridden ponies into the drawing room and were causing a general ruckus. I came downstairs and told them that if they would put the ponies in the stable where they belonged, I would get their boxes and give them something delicious to eat. That's the trick. Fairies don't eat. It would just never occur to them. To the good ones, food preparation is a skill to learn, and to the evil ones food is another trick to play (spoiling the cheese, putting mice in the flour, etc). The minute a fairy eats a mouthful of food, the transformation begins. They turn into something that resembles a doll - hard and lifeless, but colorful. You must put the evil fairy and the good fairy together in a special wooden box that's pierced all over with holes, and put the box in the sea. In the morning, an elf will have come out of the box like a bird from an egg, and grown to its right size.

I had all six fairies lined up in front of me and had given them each a slice of bread. They hadn't even swallowed the first mouthful when they fell over, cold and brittle. I was just gathering them up and sorting them into their boxes when the dream ended.

The Cost of Productivity

This weekend, I missed an event I had really been looking forward to. My friend Cliff had invited a bunch of us up to his place to watch a movie and hang out, and I had promised to make it.

In the meantime, half of the family has had the same creeping crud that's going around. The Pirate has a rattling cough, and the Baby Goddess has a perpetually runny nose and no energy. This means that I spend my time doing a very few things: working, taking care of someone who is not me, sleeping or editing. I've been utterly heads-down on my editing such that although I had announced my inability to complete Nanoedmo this year, it's the 13th and I've got something in the neighborhood of 27 hours under my belt. I've done some re-writing, some re-arranging, some cutting and a lot of reading out loud.

Saturday I spent the day running around, and got home late in the afternoon and started my editing. I didn't even remember my date at Cliff's house until this evening, and when I remembered it I broke down in tears. My harp needs a new low A string, I need to work out more and I owe about fifty thousand people phone calls or emails. And none of those things is probably going to happen before I finish this draft of my novel.

Will my friends forgive me? I'm sure they will. It's not like they've never done it. Can I forgive myself? I don't know. I've trained myself to think that I'm a superwoman and can do everything, but that's not true. What it's come down to is this: I'm angry at myself for focusing so completely on the priorities I set myself. It's stupid, I know, but there it is.

In the Virtual Bank Line

I am with a scouting mission of five. We've tracked signals to a particular small planet, but we can't decode the signals or tell who they're aimed at.

We land in an area composed mainly of swamps (a class N planet). There appears to be no animal life more evolved than small plants, and there is one structure. It's a three-story house-looking structure covered over with something resembling white ivy and caulking. My particular mission is to find and disable to signal's source. Three will find the person/persons manning this signaling station, the last is the radio who keeps communication with our ship, parked on the other side of the sun from this planet in synchronous orbit (SOP - it keeps our troop carrier hidden until we need them).

I've discovered that the signal source is organic - it's the white webbing that covers the house. It's like an organic web of signal processing and accelerating synapses grown over an artificial structure. By following the whole down to its root, I can knock out the signal. This is why our scans found nothing - it's another organic structure in the middle of a wealth of organic structures.

In the meantime our people have discovered the man stationed here. There is only one, since there is no machinery to maintain. We have found out from whom he is getting his information, but we don't know for whom his broadcasts are specifically intentioned. The fact that it's a broadcast rather than a beamed signal is disturbing. The man gets away, and our troop carrier follows him.

He's gone to an inhabited class M planet, and since his propulsion system is superior to ours, he gets there long before we do. By the time we get there and locate his signal again, he has already constructed a wooden building and begun the process of growing the communication web over it. The tendrils are still young and small, though, so their signal is too weak to leave the planet's atmosphere. However, our scans show that thousands of his troops are in the vicinity.

My advance team of five goes to the planet to find him. Three are out doing recon, radio is with me, and I'm at the structure scraping the new communication lines off the building. We look out over a grassy field next to the house. It's the size of five or six football fields, covered in picnic blankets and umbrellas where the inhabitants of the area are having a public festival. They are getting up onto a stage at one end and taking turns singing for the crowd. Beyond them, in the very tall grass, we can make out the soldiers from the other side. They are just sitting there, waiting for us.

We make our way into the crowd. We've done this before. We talk to the people in charge, telling them that we're just here to purchase supplies, that we don't want to interfere with them in any way. These people are friendly and offer to share their picnic with us. This works to our advantage. Our troops work their way into the crowd, keeping one eye on the soldiers in the tall grass off to one side. In case of attack, our soldiers will be able to rush to one side, keeping the civilians out of the line of fire.

The waiting is the worst part. We sit there for hours, trying to be friendly and interact with the people on this planet, wondering why the enemy is just sitting there. We have the advantage at the beginning of the battle, since several hundred yards separate us and our weapons are all either pulse or projectile, good at longer distances. Their weapons are also based on that white organic goo and are only good at close range, but are more deadly since the white goo sticks and then sends tendrils under the armor. We don't want to rush into a trap, but the waiting is tense.

My job is done. I get into my short-range ship to head back to the troop carrier where I can analyze the white goop and its communication tendrils. As I am leaving the planet's atmosphere, I encounter something else disconcerting. There are single soldiers in individual carriers - hundreds of them - scattered in high orbit. Their carriers are like space bicycles - good only for carrying one person to and from a craft in orbit. They carry only a couple of hours' worth of oxygen and can't hold any cargo at all. The most a person would be able to carry is the gear they were wearing and perhaps a hand weapon.

These troops aren't in a formation. They can't be waiting to be called to the surface - they're too scattered. They can't be waiting to intercept anything coming from the planet - they're not armed. As I pass them (they don't appear to notice my small craft) they are making noises and gestures amongst themselves that indicate that they are a suicide squad. They are there to perform one mission that will take them out along with their target. I just don't know what their target is. Capturing any of them is no good. That soldier would be dead before I got him/her on my ship.

As I head back to my ship, I wonder whether there is a plan of attack that is so subtle and insidious that we're not seeing it, or whether these are the last, desperate moves of this particular enemy. I don't know how the overall battle is going. I'm not privy to that. I only know that I'm still alive, my people are still alive, and that we've been victorious through more than one battle. What I've seen so far - the broadcast signals, the low-tech weapons, the scattered attacks, all look like desperation.

I don't know what this war is for.

Things Sighted, My First Day's Editing

Yesterday, on my way to the grocery store, I was behind a truck that had the following painted on a board attached to its camper shell: "His MOMMY (the Virgin Mother) called him Ye-SHU-ah <-Hebrew. The English translation is Jesus.

I desperately wanted to talk to this person, but it's just not feasible in a car. Oh well.

I spent about an hour editing last night. Got the first 30-ish pages done. Took out many little awkwardnesses, added a little bit. I realized that I refered several times to events that I never went on to include, and I really should include them in order to make the whole thing a little more believable. I know, it's comedy, but still.

Hopefully, I can get another couple of hours in tonight. I know that I should be spending an hour and 40 minutes a day, but that's a tall order in one shot. Perhaps I should be getting up early and spending some time on this. Wow. You know I'm desperate when I propose getting up early.

National Novel Editing Month

Tomorrow begins National Novel Editing Month. I've got my novel all set to go, I've committed to showing up to public events.

I haven't gotten as much done as I'd like to have, but I couldn't tell you why. After the whole let down with the agents, I just lost momentum. I'm sure it happens to other people all the time, but that's cold comfort. I know that I should just stay on the horse, ride it out and keep working, but it's hard. I'm pretty unmotivated by the whole thing.

I need to dust a few things off and shove them the hell out of the house. The only thing that makes it all worthwhile is that I do have stuff out there, on people's desks.

I've bought the new "Writers' Market Guide to Literary Agents," and from what they're saying, I'm on the right track. It's just such a goddamn LONG track.

New Year, New Goals

We're nearly at the end of the first week of the New Year, and there's no time like the present for looking at what we mean to accomplish this year in terms of writing.

In my last post (done nearly a month ago now), I outlined some of the goals I had. Which of them have I accomplished?

I have bought the new Writers' Market and a postal scale.
I have submitted Ressurection to one market.
I have begun the Aurelia Mudlark novel.
I have started sketching my first short for the year.

I'm now up to six out of eleven agent rejections, so we'll see where that goes. I have submitted my novel to another contest, and we'll also see what comes of that.

It's good to be a writer. I love the process of sitting down and creating something that moves people. But if you want to be a writer for a living, you can't stop there. You have to take off the creative hat and put on the business hat at some point. I found that I need to devote at least 25% of my time to the business part of things, or it's just not worth it. I need to make copies, put together packages, look up markets, attend conferences, etc.

I think this year is going to be my year.

My Post-Nano Goals

Every December, I take stock of my writing output and formulate my goals for the coming year. It's sort of like New Year's Resolutions, but a month early and with the prospect of great rewards. Here are my goals:

1. Re-read "Sven" and re-work in play form
2. Submit "Resurrection" and "Temple in a Teapot" to at least 6 markets each or until accepted
3. Write at least 1 new short per quarter
4. Re-work the last 2 chapters of "Mitos"
5. Write "Cuckoo Bee" as a play
6. Buy new Writer's Market
7. Buy postal scale
8. Write the "Aurelia Mudlark" novel

Okay, I think that's enough to last me until November. That's two plays, four shorts and a novel. NO SWEAT!

And you? What are YOUR goals?

What Happens After You're Done?

I've been done with my novel for more than a week now. Crossed the 50,000 word mark on the 20th and decided not to punish myself and my family by keeping up my 2,500 word a day pace. So...what have I been up to?

Apart from the whole holiday thing (made easier by the fact that both girls were out of town for this holiday, leaving the Pirate and I to fend for ourselves), I have been doing a whole lot of NO WRITING. I haven't edited anything. I've barely updated my blogs. If you count all the words I write on a daily basis for work (yes, I write for money), in email, updating my blogs and for actual fiction content, my normal output in November approaches 10,000 words a day. But for the past week, it's been more like 2 or 3 thousand words a day, which is negligible by comparison.

But I have been reading, and let me tell you something - if there's anything that's as important to writers as actually developing the discipline to sit down and write, it's reading. Novels, short stories, news articles, magazines. It's all important. Pay attention as you read to descriptions that are particularly moving or surprising. If something makes you happy, sad or angry, dissect it. Find out how that author was able to manipulate you into feeling what s/he wanted you to feel. If you find something particularly bad, dissect what was so awful about it, and don't ever do it yourself.

I tend to read a lot of magazines, mostly The New Yorker. It has some amazing fiction that has informed my own fiction for quite a while, now. There are things about New Yorker fiction I do not like, and I'm hyper aware of that in my own work. I look at the words and mull over the choices that someone else made and think about how I would do it. I notice how a lot of the stories in The New Yorker have a sort of sameness about them. Part of this is editorial choice - the New Yorker audience is young and hip and experimental, but let's not lose our heads, right?

Find a magazine or book or newspaper whose style you like, and figure out what about it appeals to you. The thing is not to make your fiction sound like their style, but to know how to create mood, to influence, to illustrate.

Crossing Over with Aoibheall

As of last night, I've officially crossed over the 50,000 word mark. I could have done it Friday, but I made a conscious decision that since I can't even validate my word count until Thursday, there was no need to keep flogging myself.

Unless I really wanted to.

Now, I've finished 50,000 words. What am I going to do next? I think I'm going to finish the novel. There are two scenes left to write that will probably add up to a total of about 7,000 words. And then, I don't know. Sure, I've said I'm going to take some time off, but the truth of the matter is that while my intentions are good, I'm not capable of just not writing at all.

But the thing is, during the month of November, I've continued to write down my ideas and generate characters and plots for my next projects, so it's not like I'm at a loss.

In the meantime, though, I think I'm going to stand here with a whole bunch of other people at the finish line, cheering on those who are still slogging through it. GO TEAM!!

Lies, Damned Lies and My Blog

It has now been suggested by a commenter that I have been "economical with the truth" when presenting my stories about my prodigious literary output.

I can assure you that, while I am a fiction writer, this particular blog is nothing but a bald, factual account of my writing process. There are, of course, things that don't fit within the scope of a "my process" description, and now I realize that by leaving them out, I am painting myself as a writer with the energy and drive of a chihuahua on crank.

Here are some "how I do it" sorts of things:

1. My kitchen floor would grab your socks off.
I have not folded laundry, completely finished doing the dishes or mopped the kitchen floor since late October. These are things that, in the normal course of life, I do regularly. But not in November during the big push.

2. I am not (despite what I would like my boss to think) a critical member of my work team.
I am a tech writer. My job at meetings is to take better notes than the engineers (which I can do with one brain lobe tied behind my back) and to offer witty and acerbic commentary where appropriate. My boss knows that I can multitask well enough to both take notes and write my novel, and is fully aware that I am doing so. But I am important enough that my boss supports my literary efforts (winning literary awards goes a long way toward validating one's street cred) and wants to keep me working for him. He's not hung up that I'm not listening to every single blah blah blah about aligning the debenture to maximize phalangeal output. This is why I keep this job.

3. I am not superhuman. This does take a personal toll.
I recently went through a bout of depression that was fairly severe. I questioned a lot of my decisions, including whether to keep participating in Nanowrimo. I ultimately decided to continue, but other things went by the wayside.

4. Restaurants exist for the same reason that frozen dinners do, and there's nothing wrong with cereal for dinner.
My husband and I normally love to cook, but during November, we do it less. The crock pot is our friend, and my 12-year-old budding cook loves the chance to stretch her cooking wings by making the family dinner at least once a week.

5. Three words: noise cancelling headphones.
It normally takes me a little over an hour to do two thousand words. I am disciplined enough and have been doing this long enough that I can reliably work at that pace for a sustained period of time. On the other hand, I am also a person who, once my process is interrupted, takes a while to get back on track, and it takes an enormous amount of energy to sustain that kind of focus without help. Fortunately, noise cancelling headphones are a godsend. I have gone so far as to wear them WITH earplugs, meaning that I can hear absolutely nothing but the music I've chosen. This isolates me completely from anything that could distract me and cuts my writing time dramatically.

Those are my words of wisdom. Some actual, practical things that keep me writing constantly. But why? Why do I do this to myself and how can I keep up the pace? I've asked myself that a lot lately as I transition away from Nanowrimo. There have been several of us who are professional writers of one stripe or another who have realized that Nanowrimo was a miracle for us at first. We needed the motivation and the structure and the goal, but we don't need it anymore. We're now internally driven and writing all the time. We're ready for the next step. It's made me question my participation in Nano, and here are some things I've come up with:

1. Nanowrimo was the best thing that ever happened to my writing.
In the same way that college was the best thing that ever happened to my thought process. It taught me how to do it. How to plough through my blocks and get the words down. I would never have made it this far without it, and I will always be grateful. But I was graduated from college and have moved on.

2. I am the exception, not the rule.
I multitask better than anyone I know. That's just true. I am also absurdly hard working and internally driven. A lot of the time, I AM a chihuahua on crank. I realize this. But I also know that as a child, my parents constantly berated me for being "lazy," and I have always seen myself as a mostly unmotivated person. But this is important to me, and when things are important to me, I make them happen.

3. My name is not Mary Sue.
It's true, I ride a motorcycle and look pretty good doing it. I can cook and sew and write award winning novels. I'm a good singer and can be entertaining at parties. But it's also true that I cannot play a musical instrument to save my life. I have tried. I have taken lessons, submerged myself in it, and have come out on the other side untouched by talent. I am NOT good at team sports. I can't dance. I hate those parties and their loud music and crickets scare the shit out of me. I am overly emotional much of the time, and my life can be full of the most sophomoric kinds of drama. I don't pretend to be perfect. I'm not. I can't do everything.

People need to find their own reason for doing it, and recognize that you are not going to be the best at everything. Yup, it's the 19th and I've only got 4500 more words to do. Hooray for me. On the other hand, there are other people who have hit 100k+ and are still going. I can't compete with them. I don't even try.

You don't have to believe me when I say that I write 2500+ words a day, even when Nano is not in session. It will not impact my process. What you have to believe is that, if you want to, YOU can write 1,666.6 words a day and finish. This is doable.

What Does It Feel Like?

A friend pointed out an interesting thing: I am my novels.

When I was writing about the singer who courted the dancer by creating music for her, I read it out loud incessantly, trying to get people to listen to it and love me. When I wrote about the woman who had been neglected and abused all her life and left her home to live with a man who would ultimately abandon her, I felt protective of my women friends and angry on their behalf for any mistreatment the world dealt them. When I wrote about the man who fell in love with himself and died trying to possess an illusion, I withdrew from everyone around me. Now I'm writing about a woman who is putting her present in jeopardy in order to fix her past, and my home life is suffering.

On this one, I don't have any advice. I'm lucky that I'm married to an understanding person who doesn't take it all to heart. Much.

But if I really want my characters to have life and meaning, I have to be them. I have to be inside their heads and live with them and move them around. Unfortunately, I'm not terribly good at switching it on and off.

And now for something completely different...

And, for my very first (and likely only) writing update: today is Tuesday, November 16, and I am 37,693 words into my 50,000. I'm 75% finished, having written an average of 2,513 words a day (with a day job and two children). At this rate, I will write 75,360 by November 30th. I actually have a plan for that too:

The novel I'm writing now, Mary Ferguson Offered, is probably not going to be much longer than 50,000 words. So, my plan is to go straight to novel #2, which is unnamed as of right now. I am not sure which of two novels I might do first (remember - always be planning your next project) but if you'd like to have a vote in it, you can take this poll at my other blog. I won't start writing the next one until I'm done with this one, but that could be very soon.

Tips & Tricks #7: Juggling for Writers

Reading the profiles on the Nanowrimo site has been eye-opening for me. The biggest surprise has been finding out people's reasons for writing. Some people got into it just to "see if [they] could do it." Some people always wanted to write a book but didn't know how to get started.

A surprising number have attempted it and failed, and are coming back to try again. I admire those people the most, although they confuse me just the same.

Me, I do it for the money. I would like to get my writing published and out to a wider audience. Maybe it's mercenary of me, but the reason I devote so much of my time to this is that I expect my efforts to eventually mean something.

If you want to be a writer who gets paid, though, there's a lot to do that does not involve writing.

Editing
The only people whose first drafts are perfect have sold their souls to Satan and will be paying for it in the hereafter. For the rest of us - there's editing. It's generally a good idea to put a piece aside for a few weeks. Forget about it. Lose the associations you have with it so that when you go back to it, your mind isn't automatically filling in the blanks the way it was when you wrote it. Then pick it up and read it again. Fix all those places where you had said to yourself "I'll take care of that later." All the inconsistencies, the incongruities.

Then give it to a friend. Let someone else who doesn't already know the story look at it. It's best if it's someone who can be honest with you, because chances are that they're going to say that your story is *gasp* not perfect.

The last one is one I found out sort of accidentally: read your story out loud. Even if you're alone, read it aloud. Your mouth is much smarter than you think it is and it'll make word substitutions and point out problems that your brain glossed over. It's better if you have two copies of your manuscript - one for you and one for a friend who can make note of your changes while you read.

Marketing
You've spent months building your trumpet. How silly are you if you never blow it? Get a copy of the Writers Guides to the Novel and Short Story Market and look at it. Refer to it. Mark it up and put zillions of little tape flags on it. Send off for copies of the publications that interest you, or head to the library or bookstore. Then start sending off those submissions. The very worst they can do to you is say "No," and after a while, even that doesn't hurt anymore.

Creating
If you have a piece that you think is great and you've worked hard on, by all means take a rest and enjoy the fruits of your labors. But don't let that rest be any more than five minutes. Get back to work. Keep writing. Keep generating ideas. The brain is like a muscle in that the more you exercise it, the stronger it gets. Every time you have a story idea, jot it down, wherever you are. When you're ready to start work on a new project, whip out your notebook and you'll have a wealth of material to choose from. Not every story is right for every market, so the more you write, the better your chances of catching on somewhere.

Ideally, you should be doing all of these things all the time. Isaac Asimov, a man with over 500 books to his credit, always had five or six projects going at once. When he ran creatively dry on one thing, he picked up another, which would often give him ideas for yet another.

You're a writer. Act like a writer!

Tips & Tricks #6: Checking Out the Competition

My first year of Nanowrimo there were 14,000 people signed up. I had a story that had been churning around in my brain for years and I felt that I finally had the bugs worked out of it. I was, as they say, at the height of my game.

And on the night of October 31, my grandmother died. I changed my plan with mere minutes to go before the writing could officially commence. I spent the first week of November either in route or actually in Phoenix attending her funeral. And writing. Every day, I wrote. I would write like a fiend every night, usually upwards of 2,500 words. I wrote while crying, I wrote while laughing, I wrote alone or surrounded by mourning family.

Then, on the 13th of November, I found out I was being laid off. I had a month to find a new job. So, I got my resume together. And I wrote.

Here's the thing: what spurred me to write like the wind was not the fact that my circumstances were bad. What spurred me to write was the fact that when one searched the Nanowrimo site, one could plainly see all the other writers out there whose word counts were...improbable. There was one that first year whose word count bar indicated 999,999 (the highest the indicator goes) but whose novel consisted of its title endlessly repeated. There were several like that, and they were at the top of the list. It was easy to say "if you're not going to take it seriously, why bother?"

I finished with over 83,000 words that year, making it into the top 20 finishers by word count.

The next year was a little different. The next year, there were 25,000 people participating, and of that 25,000, I wasn't even in the first 5,000. I did finish, but I only wrote 51,000 words. I wasn't as excited about it as I had been the year before, and my lack of excitement was worsened by the fact that I knew that practically everyone on the planet was doing better than I was.

This year, I have decided that my answer to the stiff competition is this: complete denial. I have not even LOOKED at the entire list of authors to see who's doing what. I can see the people in my local group, and some of them are ahead of me and some are behind. And it doesn't matter. This isn't a contest with anyone but myself. This year, I am not going to write until I drop because I know I don't have to. This year, I am not going to obsess about how someone in the world has written more words than I have. I am not going to blame myself if I don't spend every second writing rather than hanging out with my children and my husband. They're what counts. They love me whether or not I'm a novelist.

I guess my tip about checking out the competition boils down to this: don't. Because it doesn't exist. No one can write your story. No one has your voice. Pay attention to what you're doing, sit down and write the words, and you won't need to worry.

Day 6: Hey, What Happened to YOU?

Those of you who have actually read this now (yeah, both of you) will realized that I was going along great guns for days and days, and then stopped. What happened? Did I give up writing? Am I dead?

What happened to me happens to all of us sooner or later, and it's what separates the writers from the wannabes. What happened is that my life blew up.

On Monday the first, I sat down and wrote about 2100 words. It was easy. It was fun. I was enthusiastic as all get-out. I planned to go to the write-in on Tuesday and write even more and hold myself up as a shining beacon of authorhood. Then, just before I was set to leave for work, one of the people who works for me announced she is quitting.

My world was suddenly in a tailspin. This is a person who does an amazing amount of work in our little group and her leaving is a tragedy on a grand scale. This is worthy of panic! However, I went to the write in. I was even productive, writing nearly 3,000 words.

Wednesday, I went to work and attempted to deal with the aftermath of her leaving, but I felt awful. By Wednesday night, I was fully in the grips of a stress-induced attack of the shingles, which for me is pretty debilitating (they're on my face and cause blinding headaches and the kind of pain that is normally cured by swallowing a bullet fired directly into the mouth). But I wrote anyway. Thursday I tried going into work and ended up coming home early, I felt so horrible. I couldn't do a blog entry, but I wrote anyway. Friday I never got out of bed until afternoon. But I wrote anyway.

Here's the thing: as long as I can figure out, in my blindness, in my searing pain, how to turn on the computer, I can write. It takes almost no energy to touch the keys and make them produce letters, and even if I nap between each word, I can write.

I still have to clean my house and take care of my family and figure all this work crap out, etc. But I'm not going to fall down on my words. That's too important. If you're a writer, that's what you do. Regardless of what else happens, you make the time to do the writing. Otherwise you're just another one of those whining wannabes who sits down, writes a sentence or two, and then succumbs to an attack of the vapors and just can't go on.

Writers, we're better than that. We're stronger than that. We know that the only thing that makes us writers is that we write.

Tips & Tricks #5: In the Company of Writers

During November, writers all over the world gather in little clutches to huddle together over the warm glow of lighted laptop screens. These are our most sacred rituals. These are the write ins.

Make no mistake, I'm not a gregarious person in the least. I hate everyone and wish they would leave me the hell alone. On the other hand, it must be understood that at least part of that desire is the acknowledgement that I can talk the ears off a gundar, and solitude forces me to focus on the tasks at hand.

During write-ins, however, there is a different dynamic going on. For the first half hour or so, there's the inevitable gossiping and catching up, but then people settle down and begin writing. It's inspiring to see other people in action. Some stare up at the ceiling for a few minutes, then turn their faces to the screen. Some stare fixedly at the screen, although their typing may only come in short bursts. Some stare furiously, as though they will fix the words to the page through sheer force of will, which is not far from the truth.

I always end up feeling as though I get bonus words by writing in a gathering. Like, for every 10 words I type, I get one free, upping my night's word count by ten percent. Last night, I ended up doing an extra nine hundred words for the day, which pleased me no end. I'm not saying that this will happen to you, but you never know if you don't try.

The other thing is that the people in the room serve as a handy source for opinion polling (which do you like better - sauerkraut or cotton candy?), thesaurus information that's more contextually sensitive than you can get anywhere else, and cheering section. Don't underestimate the value in that!

Write by yourself. Write in a group. Write. Now.

Tips & Tricks #4: Know When to Quit

I've said it before and I'll say it again - I'm not the sort of person who can pull off a Herculean all-nighter on the last day. Yes, I'm a procrastinator. Yes, I'm a rationalizer. But I'm also aware of the value of sitting down and getting it done.

Here's the value: getting to do something else.

My daily goal is 2,000 words. Most days, I beat that goal by a hundred or so words. If I meet this goal on a daily basis, I will easily make my 50,000 words in 30 days. In fact, I'll make it in 25 days. Lucky me.

But in the meantime, there's laundry to do. Children do feed. Winter in the mountains also involves lots of additional chores like bringing up wood, covering plants, finding lost mittens. The point is that while I think it's important to sit down every day and not get up until my 2,000 words are done, I think that it's equally important to GET UP after they're done.

I think a lot of people sit down for 12 hours a day for the first few days, write 10,000 words, which is a great thing, but are so overwhelmed by how much it takes out of them that they can't see going on. And I can't say that I blame them. I don't have 12 hours a day for a month to do anything. Modern life just doesn't work like that.

The only way I've been able to consistently do my thing and finish is by working the day I have set before myself, and then giving myself permission to stop. Lay down the pen, shut off the laptop, step away from the blackboard.

The plus side is that when I go back to it, I have had off time to chew over ideas and figure out where my characters are and where they should be. That off time for thinking things through is valuable to me, and without it, I think that my process would take me much longer as I tried to muddle my characters through poorly conceived situations on the fly, only to have to write them back out of it again.

Hang out. Sleep. Read a magazine. Eat a meal while holding a glass of water in the other hand. Do things that don't involve writing for a little bit.

And then go back to it.

Tips & Tricks #3 - Day 1

There were a lot of people who stayed up until after midnight to begin their novel. Good on them! While I did a lot of reviewing and perfecting characters and plot points prior to midnight, I did manage to make it into bed at 11:49 p.m., and therefore didn't write a word until this morning.

And I'm not convinced that any of it is any good. See, I'm not a morning person. In my perfect life, I would wake at about 8, spend an hour washing, dressing and eating breakfast, go out and get some exercise, and then about lunchtime settle down to writing. I would work for 4-5 hours, take a break at dinner time, then work another 4-5 hours, ending my night between midnight and 1 a.m. It would be lovely if I could maintain this schedule, but alas, the rest of my household seems wedded to a more traditional schedule.

For the month of November, I attempt to have it both ways. I still have to get up each day and leave the house at 6:25 in the morning to get to work by 7, but then I also stay up until midnight or 1 every night, cutting my effective sleep by a tremendous amount. I tend to make up for it on the weekends, which generally involve the entire family tiptoeing around the house until about 10 in the morning so as not to wake me.

I can hardly wait until success steps in to make this whole ugly process much, much easier (i.e., cutting out the day job).

I have begun writing, and have amassed a whopping 551 words as of 11 this morning. I'll most likely cross my 2k word goal at this afternoon's management meeting where I intend to be completely oblivious (as soon as I'm done giving my presentation).

November has begun. My head is bowed, but unbloody.

Incipient Authorship

Tomorrow is the first official day of Nanowrimo. I'm not terribly worried. This will be my third time out, and because I do this sort of thing a lot, I'm not particularly concerned. I feel like a person who runs ten miles a day contemplating a 10k. It's just not a thing.

What, in view of what I'm hoping to accomplish, have I done to prepare myself over the past few days? Here's my list:

1. Make an outline
You may not keep to it, but at least having an outline gives you something to which you may refer when you get stuck.

2. Plan out your main characters
Give them names, birthdays, physical descriptions. I often either pick real people I know or cut out pictures of magazines so that I have a consistent description.

3. Get your time line straight
You'd be surprised how many stories fall down because they can't be placed in time. In a short story, time matters less because the action tends to take place over a short period of time, but in a longer story, there are holidays and life events that help to anchor things in time. Help anchor your story in time by having those events there.

That's it. It's not many, but each one of them can take a lot of work. I don't necessarily plot each and every one of my secondary characters, but it's certainly helpful. It's embarrassing to have a character who's called "Bob" on page 52, and "Rob" on page 79, and "Bert" on page 114, or who changes height or eye color.

Little things count, and the more you put into planning, the better your end result will be with less work.

Six Days and Counting

I had sworn off doing any sort of writing in the week before Nano, because I had just finished putting together my submission packages and wanted a break.

On the other hand, I'm terrible at "taking it easy." So, yesterday during a meeting that went more than half an hour over and included me saying exactly five sentences (one of which was "some of us will die sooner rather than later") I outlined my next endeavor.

I bought a program called "Write It Now" that enables me to keep characters, chapters, etc. together on my novel. So, now I have my outline to which I may refer throughout my process.

It's six days before 11/1, and honestly, I'm not feeling even a little bit nervous or worried about being able to make this happen. I have done it at least six times in the last three years, challenging myself in November and other times throughout the year to push my word count in order to get something done.

In that, at least, I feel like a real live actual writer. When the pressure's on, I can perform.

Telling People You're an Author & FAQ #1

I started writing when I was about 5. I had started making up stories long before then, but I didn't know how to write. When I was little, I dreamed of being a "writer," but somehow got the notion that "writers" weren't live people and that I needed to think of something else to be.

Later, I became an editor. Not only did this sound like something a real person could do, but it exposed me to some of the worst writing on earth.

It was only after I got a job with a magazine that forced me into writing large articles in short timeframes that were then ripped to shreds by editors that love me, but not my ledes, that I started calling myself a writer. I felt that, after having my ego forcibly ripped from me, mauled with a red pen, and handed back, I had earned it.

When people ask me what I do, I tell them that I'm an author. "Ooooh!" they squeal. "Have I heard of you? What have you written?" Now, my normal response to this is "No, you haven't heard of me, and I've written tons of articles that you, my retail clerk/grocery checker/dry cleaner would not have read because they were for a semiconductor industry business magazine." Do I feel cowed when they sniff impertinently at me, implying by their dismissive attitude that what I have accomplished might not be "real" writing? I do not.

The point is that you can consider yourself a writer an author whenever you wish. Just because you're not Danielle Steele or Stephen King does not mean that you are any less of a writer. In my book, the less like them you are, the better your work probably is.

You are a writer now, as long as you're writing.

FAQ #1: How could you have won an award for a book that isn't published yet?
That's a good question. I'm glad I asked it. My 2002 novel, Mitos del Pueblo, won at the East of Eden writer's conference in a contest for unpublished works. Not only was it not published, it wasn't even properly finished which is why, two months later, I'm only just getting around to sending it out to agents who requested to see it.

And, finally, an update:

This past weekend, I made up my agent packets and will be sending MdP to 11 agents. I'm sure I will hear back favorably from more than one of them, and we'll see how it goes.

Tips & Tricks #2: Where to Write

I read an article by a reasonably well-known writer recently that said something to the effect of "don't think that if you're sitting there in some coffee house banging away on your laptop, people are going to think you are a real writer. They're going to think that you're a big poser trying to impress people."

To which I must offer a resounding PSHAW! Many of my very productive writing friends have collectively written many words in coffeehouses, all while not giving a single thought to how they might be appearing to others in said coffee house. All of which adds to their cachet, by the way.

But seriously, where to write is the subject of no small anxiety. Many people are worried about creating just the write atmosphere for practicing their "art," and therefore end up putting more energy into creating that atmosphere than into writing anything.

So...where's a good spot to write? That's easy. Anywhere. Get into the habit of carrying pen and paper with you wherever you are. If you're particularly rich and muscular, perhaps you might even lug a laptop everwhere, but for most people, pen and paper are enough.

Meetings offer a wonderful place to write. At the average hour-long meeting, the average person spends 10 minutes discussing topics relevent to them or their work, 10 minutes making stupid jokes about co-workers who didn't make it to the meeting, and 40 minutes trying very hard not to fall asleep.

In that 40 minutes, it's possible to write nearly a thousand words! Public transportation is another great opportunity for writing. I am told that Caltrain has actual outlets where one might plug one's laptop in while commuting up and down the peninsula. I write while waiting for things to compile on my computer. I write while sitting in line at the grocery store.

Even if you're only writing 50 words at a time, those tiny little dribs and drabs add up, so that when you sit down at night to do your main push, if you've taken all the opportunities given you during the day, you might find yourself with only a few hundred words to go to reach your goal.

If you do choose to employ the notebook-and-longhand method of writing, don't tear the pages out once you're done. You'll want to refer to them as you go along in your story.

Of course, if you do have a laptop, you save yourself the necessity of transcribing your work later. Laptops go everywhere, and the newer your laptop, the better your battery life is likely to be.

Another wonderful mobility tool is the AlphaSmart - the pocket calculator of the word processing world. It has most of the desireable word processing functions, but weighs in at about 8 ounces - about an eighth the weight.

But...where to do the main push? For me, there is one essential element of the perfect place for writing. I have two children and a husband who is best described as uxorious. That ultimate essential element for writing would be a door. The ability to close the door and have five minutes to myself where nobody is pestering me is useful, but not essential.

Yes, in a perfect world, all of us will have a room of our own where we can exercise our genius, but if that isn't the case for you, you can still be a success!

Next issue: Telling People You're an Author

Tips & Tricks #1: Know Your Enemy

This is that magical time of year when people all over the world are saying to themselves "Oh no! What have I gotten myself into?" as they contemplate the prospect of writing 50,000 words in 30 days. It sounds nigh-well impossible, but it's not. In fact, while it will have a noticeable impact on your life, it needn't disrupt things entirely.

You've heard stories, I'm sure, of Nanovelists who have pulled some sort of Herculean all-nighter on 11/29 and managed 25,000 words on the very last day to finish. I can't do that. I am a person who likes to break a task up into equal, manageable chunks and pace myself.

If you take this approach with Nano, your task is this: 1,666.67 words per day for 30 days.

In the beginning, when you're still getting in practice, it might take you a few hours to get all 1666.67 words out (just do 1667 - that 2/3 word is tricky), or it might take you half an hour. When I'm really in form, it takes me about an hour to an hour and a half to do 2,000 words including time I spend pondering whether to say "hermaneutic" or "heuristic."

One swell way of powering through your words is to make a pact with yourself. You will NOT get up from your seat without having finished. Not to get a drink, answer the phone, pee - you will NOT get out of that seat.

And just remember - you only have to reach 50,000 words. You don't have to write something publishable. You don't have to write something readable. Your novel does not have to be finished, even. My first attempt had reached 83,000 by the end of November, but it took another two years and several complete re-writes to get it into shape.

Next issue: Where to Write

Blogging My Novel

For the first time, I am inviting you all to participate with me in my own private novel-writing process.

I write the same way I breathe. Constantly. Compulsively. Sometimes I have trouble doing it well, and it makes me panic. I experience a feeling of extraordinary well-being when I am doing it voluminously and well.

I have opinions of other Nanos that are probably uncharitable.
1. I want to smack anyone who logs onto any public forum and announces "What have I gotten myself into? I must be crazy!" If you're so intimidated, don't do it. I've done it several times and lived, so I'm not really sympathetic. We're all busy. We're all intimidated by the commitment we've made. But notice, we're NOT all whining about it.

2. I am not interested in cheerleaders. I know that everyone has to start somewhere and that it's nice to be able to say "I'm writing a Harry Potter fanfic with faeries and a new character based on my younger brother who's Harry's new best friend." And then a zillion other people jump on board and tell that person what a genius s/he is and how great they're sure it will be. Perhaps it's just sour grapes on my part. I have written all my life, and have received very little encouragement for it.

3. I am infuriated by people who cheat. What the hell is the point? You're not winning anything of value, here. You're winning a 50,000-word first draft of a novel that you had to write yourself, that you're going to have to do another 11 months' worth of work on to have a saleable product. Nobody is impressed if you suddenly come up on November 2nd with 300,000 words. We just think you're an insufferable wanker.

4. I am a very curmudgeonly person in writing, but very nice in person. That being said, I don't want to meet you. I don't want to leave my house. And, most of the time, I would like the people in my house to leave for a while and get out of my hair. I am annoyed with the tendency of Nanos to obsess about the next partying opportunity. I am not in this to go to parties. I am in this to force myself to write some stuff down, although I do that all the time anyway. I also like the t-shirts. Except this year's.

5. I am first and foremost a writer. Sure, I do lots of other things, but I'm a professional writer. I make money doing this. So I don't want to hear how full of shit I am from someone who's accumulating half-finished first drafts in a folder stashed away under their unmentionables.

6. I do not represent that either my routine or my process are suitable for anyone other than myself. I'm certain that many successful writers do their thang in ways that are 180 degrees different than my own. That's great. They're not asking me for help, and laughing at me behind my back if they deign to notice me at all. I will probably post little insights into my process, but I don't claim that if you do what I do you'll get anything but tired. Truthfully, that's about all it gets me a lot of the time.

Next issue: Tips and Tricks

Good Work

I spent last night going through the Writer's Market and looking up agents. I have no idea what to look for. My criteria seem completely subjective to me, and I have no idea whether they are helping my search or hindering it.

My criteria:

Should have been in the agenting business for five years or more (I figure this weeds out those who are losers and/or not serious)

Should represent at least 50 clients (this tells me that they're serious about agenting, not running a beauty salon/literary agency)

Should list information about recent sales, and should actually have recent sales to list (if you "decline to comment," it may be because you've got nothing on which to comment)

Prior to being a literary agent, should have worked in a related field (publishing, another agency - no former substitute teachers or psychologists need apply)

Should be local (I'm needy and don't want to spend a fortune in long distance and airfare whining to an agent)

Contains less than 2% of: represents my genre (literary fiction), reasonable query turnaround time, doesn't come off as smarmy and nasty

So, I figure that I have plenty of time to craft the most amazing cover letter possible for my book (since it's not finished yet) and then carpet the earth with query letters. Yes, many of them say "no simultaneous queries," but if I have a manuscript that I spent three years on, I don't want to send it off to one agent, wait two to six months, send it to another agent, etc. A good fisherman uses a sturdy pole and the right bait. A REALLY good fisherman uses four or five poles and homemade bait. A professional uses half a ton of chum and a big fucking net.

I Haven't Posted Anything Significant In a While

Contents:
1. What I've Been Doing with my Writing
2. The Direction My Life is Taking Doesn't Seem to Appear on my Map
3. I Hate My Fucking Job

1. I've been indulging in an orgy of editing and submitting lately. I feel really good about the fact that I've gotten over that mental hurdle that had me too scared and too embarrassed by my own perceived lack of talent to submit anything. I totally credit the Nanos for kicking my butt and helping me find markets and the courage to send stuff to them. It's only a matter of time now before something I've submitted somewhere gets picked up, because it's good writing, goddamnit!

2. I am currently in a weird limbo. Frankly, I think I've got enough talent to be a commercially viable writer. The problem is that I lack the time and the understanding of my family. sees me struggling to make time for my novel, but let's face it - there's only one of me and one of him and a whole house and a garden and two kids and he's got stuff he needs to do as well. In the meantime, I have a boss who spends 12+ hours a day at work, and therefore isn't all that impressed by anyone who does anything less.

I'd love to be able to quit my job and just write, but that doesn't seem to be on the horizon anywhere. My extended family says "But you already finished your novel, right? When is it coming out?" They see people like J.K. Rowling (who took years to write her first novel and another full year to sell it to someone, and then another year for it to hit the market) and see a book a year for a few years and wonder why I can't do the same thing. They don't seem to see the rest of the picture where, by the time you've churned out a best-selling book, you're allowed to quit your job and write full time, and your publisher is willing to assign you editors who will help you through the most time-consuming part of the process - the editing.

But I'm not bitter.

3. The above translates into my looking at the work I get paid to do and think "Why? Why am I knocking myself out for this?" I like the people with whom I work, but I'm not going to feel very bad when I can quit. That probably makes me a horrible person, but there it is, then.

My Fears of Giving Birth to a Baby Goth are Laid to Rest

Peaches gave me folders with her work in it. I put them aside, meaning to read them later. And I didn't read them later. I'm a bad parent. The Pirate handed me one of her poems and I was floored.

Amazing non-Goth poetry written by a 12-year-old with a perspective I could only wish for.

I Am

I am funny and athletic.
I wonder how babies are made.
I hear my mom yelling my name.
I see Sombra laughing and happy.
I want a dog instead of a fish.
I am funny and athletic.

I pretend that I am popular.
I feel like my life is the worst
life a kid could ever have.
I touch things like books.
I worry about the health of my pets.
I cry because I miss the dead.
I am funny and athletic.

I understand why my parents are divorced.
I say that I believe in BUDDHA.
I drream that I will be a good person.
I hope that my grades will be good.
I try to get things right.
I am funny and athletic.

The Living Bedroom

My falling socks are like snow
And my flying shirts are always in the air.
My bed is like huge mountain ranges
And my top bunk is a flea comb swiping up jumping fleas.
Do not throw any clothes into my eating dresser.
They will never be seen again.
My books are like caves covering up my pens,
And my dresser is like a fence
For all of my things.
The cat hair on my bed can be used for string,
And on my bed is a sniffling me.
Everywhere I go,
And whenever I move,
The posters eyes follow me.
So do not go into my room or else you will be eaten
And never come out the other end.
Beware of the flying clothes and strange sounds.
Go back to your room and that grabbing memory
Might just haunt forever.

I feel so presumptuous trying to write. I don't have half the talent this kid has. Or maybe I'm just a doting mama.

Bitching About People Who Can Read This

I'm grouchy.

I have been working really hard, at home and at work, to knock down my many, many "to-do" lists. I live by my lists, and they keep me focused. This week, I actually hit 100% of the stuff I meant to accomplish, but I don't feel any better about it than I did last week when I did even make a list.

Partly it's this: I got my review last week. My boss thinks I walk on water. He's foursquare in my corner and wants to see me kicking more of the ass that I kick for him on a regular basis. He's made goals for me this year that are...ambitious. I worry because I have goals for myself that are probably equally ambitious, but I can't reach them if I'm spending all my time at work. But I'm incapable of just saying "fuck it," and letting my boss down. I have the sort of sense of duty that one looks for in a lapdog. Pathetic, I know. But I take pride in the fact that my boss never thinks twice about entrusting me with very large, very complex projects that must be carried out with no sort of oversight.

That my boss loves me is all well and good, but it also makes me feel as though every day, I make the choice between bolstering my writing career (such as it is) and doing this thing I do for money. The more I search myself, the more I realize that the satisfaction that comes of doing an excellent job for someone else isn't enough. It feels sort of analagous to when Peaches was a baby, and I would call her caregiver two and three times a day to find out how she was doing. I finally had to quit my job because I coudln't concentrate. I had to be with my little girl. I am feeling that way about my writing. I want to be with it more than with my work.

Which brings me to the next thing, which is that I find it nigh-well impossible to find a suitable place to do my work. I can't carry it out at work. I have too much to do there to do much of anything else. I can't do it at home, because again, that dratted sense of duty won't let me concentrate. How can I selfishly sit on my ass writing and editing when there are dishes to be done or laundry to be folded? So I go out, but the problem there is that I am incapable of telling anyone to leave me alone. I went to OVC tonight and saw a few of the gang there and started to make really good progress on a piece that I think is just about ready for submission, but got sidetracked by an unwelcome conversation. And not just once. I made a few comments that this other person found provocative, and at least twice, this person felt moved to get my attention (taking it away from what I was doing) to distract me with a conversation that had nothing to do with what I was there for. I hate to be rude. I really do. I am incapable of saying "leave me alone right now," even when it's what I most fondly wish. The irony is that part of this conversation had to do with Americans' concept of proper manners.

Now, this brings me to the very last bitter dreg of my sour draught. The person who was so interested in what I had to say was also a person to whom I had given a draft of part of my novel many months ago, with the understanding that he would read it and give me feedback. I have never received said feedback. I gave it to at least three people, and never heard anything from any of them. I have now edited two novels, two novellas and half a dozen short stories for this group, and have gotten back exactly one critique of one short story, given by a person who, by his own admission, didn't have time to read it properly because he was in the middle of moving.

Those people who have heard my work read out loud have been unanimous in their praise, but that does me no good at all when what I'm looking for is the little nits that will make it perfect. I am frustrated that I have made time for them, but they have not seen fit to return the favor. At this point in time, I have exactly one dear friend who is enough of a writer that I trust his judgement and enough of a friend that he's not afraid to tell me when I'm phoning it in. He's a writer as well, and I edit his stuff and we sit down together and hammer things out. It's the most valuable interaction I've ever had with another writer. I'd love to find one more, but I don't even begin to know where to look.

I feel like I need more. From my work life, from my writing, from those people who call themselves my friends.


Okay. You can come out now. I'm done bitching.

Okay, Feeling Better

It's a quarter of three here, and since that last post I have finished and submitted that manual, eaten lunch, put a couple of miles on the treadmill and had a shower. I feel pretty justified in sitting on my ass for the rest of the day.

Not that it's likely to happen. Stephanie and I are supposed to go shopping after work, and then I have plenty to do once I get home. Like...kissing on my family, which I could spend hours doing. They're just so smoochilicious.

I'm still a little torn, though. I was talking to The Pirate after the reading I did on Friday. It was really well-received, and I felt about it the way I've felt about other readings: my stuff is as good as any of this, and better than a lot of it. He said that if he were me, he would be frustrated because my stuff is better than a lot of other readers who were already published and my stuff isn't published yet.

That's not why I'm frustrated. I know exactly why it isn't published. It's because there just aren't enough hours in the day for me to earn a living, take care of my family, take care of myself and finish this novel by the end of the week. It's slow going, and I always feel criminally self-indulgent when I'm writing and neglecting other things.

I'm not sure what to do about this.

The Virtual Bank Line Comes to Reality

A few nights ago, I dreamed that I was in the corridor of a hospital. There were about 12-15 women there, all wearing beautifully adorned chadors in jewel colors - deep blues, reds and golds. They were all sitting on benches or standing in the hallway of this hospital waiting to hear news of a women relative who was there having a baby. In among the women were two or three men, including the husband of the laboring mother, all anxiously waiting for news. The atmosphere was festive and talkative. There was going to be a party at someone's house as soon as the baby was born, and everyone was pretty happy.

On the walls were photos of a pretty young woman wearing a black headscarf and a very serious expression. There was no text with the photos, but I knew that she was an activist of some sort who was there in the hospital because she was dying. She wasn't sick, she was dying as a protest. She had simply decided that she was going to die, and without doing anything like taking poison or starving herself, she sickened. I looked at the pictures of this serious woman in black and at all the happy women around me dressed like lovely exotic birds.

A murmur went through the crowd as the doctor came out of the delivery room holding the red, squirming baby. "It's a boy!" The father looked at the baby and smiled, saying "Yeah, he looks just like me!" Everyone laughed and clapped him on the back, and all got up to leave. As they were filing out, the word went through the crowd that the activist had, in fact, died just then. The women in the group all pressed their lips together and nodded. It seemed that they weren't surprised in the least. They knew that it would happen and they seemed to think that things were as they should be. I felt very conscious of being on the outside, an observer, in a thing whose meaning I did not understand and was not meant to understand.

This dream happened three days ago, and yesterday I went to the Baby Goddess' school to drop her off. Monira, a grandmotherly woman who's there in the mornings smiled and I told her about the dream, as she had been one of the women in the hospital corridor. Her eyes got huge and she became very serious. She said that she thought it was strange that I should be dreaming about her.

This morning, she came and put her arms around me and told me that she had talked to her daughters and her sisters and told them about the dream. Apparently, I dreamed a thing that had happened to them. She told me that they were all very flattered that I was dreaming about them, especially as the things that are happening to them are happening in Egypt, where Monira's family lives.

It's always strange to find out how connected we all are to each other.

Finally Processing the Weekend

Many Things have happened. Many. Muchness went on, and I was there for it.

I got my eyebrow pierced. After the hilarity surrounding the microphone-nosering conjuction, I just had to go for the lorgnette and eyebrow ring conjuction. The Pirate is pleased as all heck, as is the man who sold me the lorgnette. He wants pictures for their website.

My mother thinks the overall effect is "punk granny," the Pirate says "Victorian borg," but Stephanie says "It's just Goth." Ew.

The cat pee briefcase has been restored to functionality. Which is lucky for the damn cat. A little Nature's Miracle and then some saddle soap and mink oil and all that's left is a wierd sort of watermark. That's not bad

And on the writing front, several things are popping and humming. The woman who gushed about Orfeo at the last CWC reading forwarded my name to a friend of hers who teaches at the University of Southern Maine. This woman and I have now hooked up and are corresponding. She wants to use my writing in her class. Mmmmm!
I'm giving another reading of The Birth of Athena this coming Friday at the Borders in Los Gatos. Mike M. has already promised to show up, as well as a couple of the other South Bay Nanos.

I'm also pleased as all get-out to see more people putting up their to-do lists. Let me just say, HOORAY! I love the lists! I want to give each and every one of you a cookie. Perhaps two.

And, in other news, there's a billboard advertising insurance on the 880 going toward Oakland (is that north or west?) just before the Montague exit. It has a huge picture of Andrew Jackson wearing sunglasses and it looks eerily like Mike M. only with longer hair. I've been thinking about that every time I pass it, and keep forgetting to say anything.

What Pimping Gets You

Friday has turned out to be a pretty good day for me. I went to the CWC reading at the B&N, and read the same selection from Orfeo that I had read at Zebulon's Lounge last Tuesday, but it went a little more smoothly this time, even though I wasn't drunk.

It helped that I had a few friends there with me. In addition to the Pirate, a friend and his wife from my new job showed up, as well as a friend from my old job and his fiance, and Mike M. and Ian D. The people who showed up for just me outnumbered those who had come to see everyone else. Thank you to those of you who made the trek out. It meant a whole lot to me.

A nice unforeseen bonus came in the form of another one of the evening's readers, a poet by the name of Carolyn Schuk, came up to me and said that she has a good friend who teaches mythology at the University of Maine. This particular professor would be highly interested in the fact that my stories combine Greek mythology and Mexican culture. Well, as they say, write what you know.

And, in a completely unrelated bout of pimping, the Pirate has caught on. He's had a series of interviews with three large, profitable, well-known Silicon Valley companies. Company G flew him down to Los Angeles, wined and dined him and impressed him with their high-energy corporate-cult atmosphere. Company N had him out for a regular interview at their Los Gatos office, and impressed him with the fact that they're a little older on average, and seem to be a little less out to prove something. Company A has only given him a phone interview thus far. Company G wants him in their Mountain View office on Wednesday for another series of interviews. Company A has asked for a second interview. Company N will make him an offer on Monday. They've already talked money, and the only reason they didn't make the offer is because the guy in charge of that was sick today. So, it's all over but the shouting, and I brought the Pirate home some nice champagne to celebrate.

It looks like the shitstorm is letting up a little at the ol' homestead. Actually, I'm feeling pretty blessed right about now.

Ed. It.

No, I didn't make it to CS last night. The poor Pirate was on his last (good) leg and really needed to be given the night off. We lay in bed, him watching absolutely the best movie ever made, a little slice of heaven that is corn with cheese on it dipped in acid, Beneath the Planet of the Apes.

Luckily, I was very busy with the next section of my novel. So...my total hours for the month are now at 13, only 37 to go. I am hoping that if I can shoehorn in 2 hours a day between now and the end of the month, I'll be doing okay. I think that I can hammer this thing into decent shape by then.

The second portion, Atena, is much like the first in that on my first reading after some time, I found a lot of really strong parts, and a lot of flabby filler. But I'm excited to be working hard on it and whipping it into shape.

Time Well Spent

On Tuesday I did that reading in Petaluma and heard a really amazing piece by a woman who lives in that area. So, yesterday, I decided to email her and tell her exactly what I thought of her work. I wrote her a fairly long email with my comments and praise.

She wrote me back last night, a warm happy letter saying in effect that I'd made her day. She also asked for the text of Orfeo because she said that it went by too fast for her and she'd like to "linger over it." I was tickled and, after finishing my last round of edits last night, emailed it off to her.

Increasing the happiness in the world. It's one of my five pledges.

Family Trouble

Now, you might think that I'm having trouble with my family. Au contraire! It's they who are having the trouble.

My younger sister phoned last night. I haven't talked to her in a while. I thought she was calling me to gossip about our older sister, but no. She's got her own shit.

Now, let me just tell you the kind of shit she gets herself into....
Ximena is a clinical psychologist on Chicago's south side. She works with families in crisis (and believe me, she's got a fabulous firsthand foundation on that). On this particular day she was doing outreach with Xavier, a guy who's getting his degree in counseling. She likes this guy because he's working on his degree after being in prison for 20 years on a murder charge. He's 35.

They are at some building in Chicago that used to house a large mental hospital, but is now being used as a sort of outpatient facility. After completing their outreach calls, my sister turns to Xavier and says "Hey, you wanna go up and see the twelfth floor?"

"What's on the twelfth floor?"

"That's where they kept all the real f-ed up folks. It's totally Girl, Interrupted."

Xavier is skeptical, but goes along with it. The twelfth floor does not have any direct access from an elevator. In order to get to it you have to go up to a higher floor and then down a series of staircases that are not necessarily near each other and that, at one time, were all kept locked. Ximena and Xavier thread their way in the near-dark through the series of stairs and doors until they find themselves in a large room on the twelfth floor. There is dusty, knocked-over furniture and trash on the floor, and the whole thing smells like mildew. Xavier, who is still on parole, does not come into the room with her. He is a sensible man who knows that if they do find anything untoward, he can't afford to be the one to find it.

And, sure enough, my sister spots a pair of legs. The feet at the end of the legs do not have shoes on them, and the legs themselves are twisted up in a position that suggests that their owner didn't just lie down for a little nappy-do. My sister is immediately wigged out and turns and runs out, screaming at Xavier "Let's get outta heeeeeeeeeere!"

Xavier is not only a sensible man, but a very large one. He has not seen anything, but scoops my sister up and rushes back out the way they came. As he's running down a hall with my sister in tow, he says "What are we running from?" "A body!" she pants. He rolls his eyes and speeds up.

They get out to the nurses' station at the front lobby and my sister is overcome with an attack of conscience. Xavier would much rather leave this theoretical body that he has not seen where it supposedly lies and get the heck outta Dodge, but my sister will do no such thing. She goes to the nurse at the desk and says "Um...there's a guy....upstairs...on the twelfth floor...um...lying down."

The nurse's eyebrows shoot up. "What were you doing on the twelfth floor?" My sister had to do a little fast talking, but her clinical psychologist cred gets her and Xavier out of being arrested. A pair of security guards is summoned and Ximena and Xavier are asked to lead them to the "guy lying down."

Ximena had completely lost her sense of direction, but Xavier, being the self-possessed person he is, knew exactly where he was going. As Xavier is saying "Left here...right through this door....down the second set of stairs..." Ximena looked at these guys and thought "Okay, Xavier is Freddy, this guy over here is Velma, that guy is Daphne...and I'm Scooby Doo."

They get into the room and Ximena and Xavier hang back. There's no way she wants to see that sight again, and she feels that now that she's led the security guys to it, she's done her duty. On the other hand, she is not without a sense of morbid curiosity. Who is it? It couldn't possibly be anyone who accidentally wandered up there.

The guards looked carefully at the body without touching it. One of them bent down for a closer look, then beckoned the other to do the same. Both of them burst out laughing. Ximena is horrified. She runs up to them, asking them what's so funny. They turn the body over...and she can clearly see the mannequin's face in the dim light.

The rosy glow coming from Ximena's face is enough to illuminate the scene.

Now that the tension's been broken, the four of them turn even more Scooby Doo. They decide that while they're here.... They start walking around the rest of the floor. The rest is much the same, trash and dusty furniture. But WAYYYYY in the back, they find a queen-sized bed up on cinder blocks. The sheets are clean, the bed is made. Someone has been up here recently. The guards immediately turn to Ximena and Xavier and ask "So - what do YOU TWO know about this?"

After a little more poking around, Ximena and Xavier are escorted out. Upon reflection, Ximena has decided that the dead body was an amazingly creative first line of defense for someone's Fortified Love Nest.

Bedtime Reading of the Terribly Pedantic Lifestyle

I've been listening to a history of Alexander the Great written about a hundred years after his death, but it's a little hard to get into as an audiobook.

There are lots of descriptions of places that no longer exist and a lot of passages that sound like this "And so Alexander met with Thorax. This is not Thorax of Hypnotia, whom some of the early Lucites worshipped as a god. This is Thorax of Biodegradia, son of Beltsander." And then there are the countless battles with triremes and quadriremes and lemoncremes until your eyes no longer blink in unison.

The Pirate took Peaches off to the library tonight so that she could get some books for a school project and came home with histories of Mesopotamia, Sumaria, Babylon, Assyria and the Persian empire.

Frankly, there is a whole big hunk of history that I just have a hard time getting past. Everything between....fire and the invention of Popeil's Pocket Fisherman. Okay, maybe not that big, but anything that doesn't already come with a compelling narrative is just tough to get past. Even the Bible skips past all this and gets right to the sex (you know - Hashish begat Diphthong who begat Target who begat Hut who begat Tarnashun who begat....). And then you go right to a place where we begin to have written record.

So, right now he's sitting next to me reading about how the little Mesopotamuses went to war with the Sombrarians under Xanax and created the first empire. Meanwhile, in the Persian empire, Zoroaster was creating the first religion to be picked up by a country music singer and made into a chain of fast food restaurants, Kenny Roger's Zoroasters.

This is really motivating me to find a wall-sized map of ancient Greece so I can go back to Alexander the Great and skip the whole history of the Assyrians who invaded the Sombrarians while the Sombrarians were busy using their little hats as flowerpots. Or maybe it was the Babbleonandonians.

I can never remember.